Thirteen Moons(13个月亮)

Book Description
Charles Frazier's Thirteen Moons is the story of one man's remarkable life, spanning a century of relentless change. At the age of twelve, an orphan named Will Cooper is given a horse, a key, and a map and is sent on a journey through the wilderness to the edge of the Cherokee Nation, the uncharted white space on the map. Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will's character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will's heart.

In a distinct voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion. As he comes to realize, "When all else in lost and gone forever, there is yearning. One of the few welcome lessons age teaches is that only desire trumps time."

Thirteen Moons takes us from the uncharted wilderness of an unspoiled continent, across the South, up and down the Mississippi, and to the urban clamor of a raw Washington City. Throughout, Will is swept along as the wild beauty of the nineteenth century given way to the telephones, automobiles, and encroaching railways of the twentieth.

From Publishers Weekly
When Frazier's debut Cold Mountain blossomed into a National Book Award–winning bestseller with four million copies in print, expectations for the follow-up rose almost immediately. A decade later, the good news is that Frazier's storytelling prowess doesn't falter in this sophomore effort, a bountiful literary panorama again set primarily in North Carolina's Great Smoky Mountains. The story takes place mostly before the Civil War this time, and it is epic in scope. With pristine prose that's often wry, Frazier brings a rough-and-tumble pioneer past magnificently to life, indicts America with painful bluntness for the betrayal of its native people and recounts a romance rife with sadness. In a departure from Cold Mountain's Inman, Will Cooper narrates his own story in retrospect, beginning with his days as an orphaned, literate "bound boy" who is dispatched to run a musty trading post at the edge of the Cherokee Nation. Nearly nine mesmerizing decades later, Will is an eccentric elder of great accomplishments and gargantuan failures, perched cantankerously on his front porch taking potshots at passenger trains rumbling across his property (he owns "quite a few" shares of the railroad). Over the years, Will—modeled very loosely, Frazier acknowledges, on real-life frontiersman William Holland Thomas—becomes a prosperous merchant, a self-taught lawyer and a state senator; he's adopted by a Cherokee elder and later leads the clan as a white Indian chief; he bears terrible witness to the 1838–1839 Trail of Tears; a quarter-century later, he goes to battle for the Confederacy as a self-anointed colonel, leading a mostly Indian force with a "legion of lawyers and bookkeepers and shop clerks" as officers; as time passes, his life intersects with such figures as Davy Crockett, Sen. John C. Calhoun and President Andrew Jackson. After the Civil War, Will fritters away a fortune through wanderlust, neglect and unquenched longing for his one true love, Claire, a girl he won in a card game when they were both 12, wooed for two erotic summers in his teen years and found again several decades later. In the novel's wistful coda, recalling Claire's voice inflicts "flesh wounds of memory, painful but inconclusive"—a voice that an uncertain old Will hears in the static hiss when he answers his newfangled phone in the book's opening pages. The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative's true heart. (Oct. 3)

From The Washington Post's Book World,washingtonpost.com
Charles Frazier is an intelligent, occasionally witty author who writes incredibly long-winded, sentimental, soporific novels. His first, Cold Mountain, published nine years ago, was the most unlikely bestseller since Oldest Living Confederate Widow Tells All (1989), by his fellow North Carolinian Allan Gurganus, and the most improbable National Book Award winner since John O'Hara's Ten North Frederick half a century ago. Now Frazier weighs in with Thirteen Moons, which manages to be even longer and even duller than Cold Mountain. No doubt it too will be a huge bestseller.
That Frazier's success parallels Gurganus's is purely coincidental, but it's just about impossible not to remark upon the oddness of the coincidence. As a rule, the American book-buying public has only a limited appetite for Southern-fried fiction, yet Frazier and Gurganus somehow have tapped into it. They deal (Frazier somewhat more skillfully than Gurganus) in what a North Carolina newspaper editor of my long-ago acquaintance used to call shucks-'n'-nubbins, which is loosely defined as tiny ears of corn. Frazier's corn is anything but tiny -- more than 400 pages of it in the case of Thirteen Moons -- but it's corn all the same.

Reading Frazier is like sitting by the cracker barrel for hour after hour and listening to an amiable but impossibly gassy guy who talks real slow, says "I reckon" a whole lot and never shuts up. His novels have little structure and not much in the way of plot; in Cold Mountain he gave us the wounded Confederate soldier, Inman, limping his way back to his gal, Ada, in the North Carolina mountains, and in Thirteen Moons it's the ancient Will Cooper reminiscing about his nine decades and his Cherokee buddies and the gal, Claire, whom he managed to love and lose. He is a far less interesting man than Frazier obviously believes him to be, which is a little surprising because he's based on a very interesting historical figure.

"Will Cooper is not William Holland Thomas," Frazier says in an author's note, and then coyly adds, "though they do share some DNA." Actually, they share a whole lot. William Holland Thomas was born in North Carolina in 1805, was almost immediately orphaned, worked as a boy in a general store in the mountains, taught himself the law, worked to secure the right of the Cherokees to remain in their territory as Andrew Jackson sought to drive all Indians westward, served in the state senate and organized a company of Cherokee soldiers on behalf of the Confederacy. All of which is exactly what Will Cooper does in Thirteen Moons; where fact and fiction part is that Thomas married and had children while Cooper remains single, and Thomas's mental condition gradually deteriorated after the Civil War while Cooper remains alert, if rather tired, to the novel's end.

In other words, in Thirteen Moons Frazier essentially has fictionalized history. Nothing wrong with that: happens all the time. But the novel provides less imagination and invention than readers are likely to expect; it reads more like a dutifully researched (check out that author's note) graduate school paper than a work of fiction. It also is chock-a-block with homespun aphorisms that aren't exactly full of original wisdom: "One of the few welcome lessons age teaches is that only desire trumps time," and "Grief is a haunting," and "Writers can tell any lie that leaps into their heads," and "Our worst pain is confined within our own skin," and "We are not made strong enough to stand up against endless grief," and so forth. To be sure Frazier's folksy wisdom is a good deal easier to swallow than Gurganus's, but it's folksy all the same and not especially wise.

The novel is narra……

Book Description
Charles Frazier's Thirteen Moons is the story of one man's remarkable life, spanning a century of relentless change. At the age of twelve, an orphan named Will Cooper is given a horse, a key, and a map and is sent on a journey through the wilderness to the edge of the Cherokee Nation, the uncharted white space on the map. Will is a bound boy, obliged to run a remote Indian trading post. As he fulfills his lonesome duty, Will finds a father in Bear, a Cherokee chief, and is adopted by him and his people, developing relationships that ultimately forge Will's character. All the while, his love of Claire, the enigmatic and captivating charge of volatile and powerful Featherstone, will forever rule Will's heart.

In a distinct voice filled with both humor and yearning, Will tells of a lifelong search for home, the hunger for fortune and adventure, the rebuilding of a trampled culture, and above all an enduring pursuit of passion. As he comes to realize, "When all else in lost and gone forever, there is yearning. One of the few welcome lessons age teaches is that only desire trumps time."

Thirteen Moons takes us from the uncharted wilderness of an unspoiled continent, across the South, up and down the Mississippi, and to the urban clamor of a raw Washington City. Throughout, Will is swept along as the wild beauty of the nineteenth century given way to the telephones, automobiles, and encroaching railways of the twentieth.

From Publishers Weekly
When Frazier's debut Cold Mountain blossomed into a National Book Award–winning bestseller with four million copies in print, expectations for the follow-up rose almost immediately. A decade later, the good news is that Frazier's storytelling prowess doesn't falter in this sophomore effort, a bountiful literary panorama again set primarily in North Carolina's Great Smoky Mountains. The story takes place mostly before the Civil War this time, and it is epic in scope. With pristine prose that's often wry, Frazier brings a rough-and-tumble pioneer past magnificently to life, indicts America with painful bluntness for the betrayal of its native people and recounts a romance rife with sadness. In a departure from Cold Mountain's Inman, Will Cooper narrates his own story in retrospect, beginning with his days as an orphaned, literate "bound boy" who is dispatched to run a musty trading post at the edge of the Cherokee Nation. Nearly nine mesmerizing decades later, Will is an eccentric elder of great accomplishments and gargantuan failures, perched cantankerously on his front porch taking potshots at passenger trains rumbling across his property (he owns "quite a few" shares of the railroad). Over the years, Will—modeled very loosely, Frazier acknowledges, on real-life frontiersman William Holland Thomas—becomes a prosperous merchant, a self-taught lawyer and a state senator; he's adopted by a Cherokee elder and later leads the clan as a white Indian chief; he bears terrible witness to the 1838–1839 Trail of Tears; a quarter-century later, he goes to battle for the Confederacy as a self-anointed colonel, leading a mostly Indian force with a "legion of lawyers and bookkeepers and shop clerks" as officers; as time passes, his life intersects with such figures as Davy Crockett, Sen. John C. Calhoun and President Andrew Jackson. After the Civil War, Will fritters away a fortune through wanderlust, neglect and unquenched longing for his one true love, Claire, a girl he won in a card game when they were both 12, wooed for two erotic summers in his teen years and found again several decades later. In the novel's wistful coda, recalling Claire's voice inflicts "flesh wounds of memory, painful but inconclusive"—a voice that an uncertain old Will hears in the static hiss when he answers his newfangled phone in the book's opening pages. The history that Frazier hauntingly unwinds through Will is as melodic as it is melancholy, but the sublime love story is the narrative's true heart. (Oct. 3)

From The Washington Post's Book World,washingtonpost.com
Charles Frazier is an intelligent, occasionally witty author who writes incredibly long-winded, sentimental, soporific novels. His first, Cold Mountain, published nine years ago, was the most unlikely bestseller since Oldest Living Confederate Widow Tells All (1989), by his fellow North Carolinian Allan Gurganus, and the most improbable National Book Award winner since John O'Hara's Ten North Frederick half a century ago. Now Frazier weighs in with Thirteen Moons, which manages to be even longer and even duller than Cold Mountain. No doubt it too will be a huge bestseller.
That Frazier's success parallels Gurganus's is purely coincidental, but it's just about impossible not to remark upon the oddness of the coincidence. As a rule, the American book-buying public has only a limited appetite for Southern-fried fiction, yet Frazier and Gurganus somehow have tapped into it. They deal (Frazier somewhat more skillfully than Gurganus) in what a North Carolina newspaper editor of my long-ago acquaintance used to call shucks-'n'-nubbins, which is loosely defined as tiny ears of corn. Frazier's corn is anything but tiny -- more than 400 pages of it in the case of Thirteen Moons -- but it's corn all the same.

Reading Frazier is like sitting by the cracker barrel for hour after hour and listening to an amiable but impossibly gassy guy who talks real slow, says "I reckon" a whole lot and never shuts up. His novels have little structure and not much in the way of plot; in Cold Mountain he gave us the wounded Confederate soldier, Inman, limping his way back to his gal, Ada, in the North Carolina mountains, and in Thirteen Moons it's the ancient Will Cooper reminiscing about his nine decades and his Cherokee buddies and the gal, Claire, whom he managed to love and lose. He is a far less interesting man than Frazier obviously believes him to be, which is a little surprising because he's based on a very interesting historical figure.

"Will Cooper is not William Holland Thomas," Frazier says in an author's note, and then coyly adds, "though they do share some DNA." Actually, they share a whole lot. William Holland Thomas was born in North Carolina in 1805, was almost immediately orphaned, worked as a boy in a general store in the mountains, taught himself the law, worked to secure the right of the Cherokees to remain in their territory as Andrew Jackson sought to drive all Indians westward, served in the state senate and organized a company of Cherokee soldiers on behalf of the Confederacy. All of which is exactly what Will Cooper does in Thirteen Moons; where fact and fiction part is that Thomas married and had children while Cooper remains single, and Thomas's mental condition gradually deteriorated after the Civil War while Cooper remains alert, if rather tired, to the novel's end.

In other words, in Thirteen Moons Frazier essentially has fictionalized history. Nothing wrong with that: happens all the time. But the novel provides less imagination and invention than readers are likely to expect; it reads more like a dutifully researched (check out that author's note) graduate school paper than a work of fiction. It also is chock-a-block with homespun aphorisms that aren't exactly full of original wisdom: "One of the few welcome lessons age teaches is that only desire trumps time," and "Grief is a haunting," and "Writers can tell any lie that leaps into their heads," and "Our worst pain is confined within our own skin," and "We are not made strong enough to stand up against endless grief," and so forth. To be sure Frazier's folksy wisdom is a good deal easier to swallow than Gurganus's, but it's folksy all the same and not especially wise.

The novel is narra……