The Norton Anthology of English Literature, 8th Ed 诺顿英国文学选集 第八版 第二卷 浪漫主义时期至20世纪

With 274 authors, the Eighth Edition deepens its representation of essential works in all genres, ranging from Seamas Heaney's award-winning translation of Beowulf, Milton's Paradise Lost, and More's Utopia to the great poets and prose writers of the nineteenth century—Blake and Austen, Wordsworth and Byron, Tennyson and Barrett Browning—to twentieth-century classics of a truly global English literature—Conrad's Heart of Darkness, Woolf's A Room of One's Own, Achebe's Things Fall Apart, and Friel's Translations, to name but a few. Color plates—over 75 in all—and thematic clusters of brief and historically significant texts bring to life the cultural concerns of each period. Concise glosses and annotations, period introductions, biographical headnotes, timelines, and selected bibliographies help readers understand and enjoy the rich diversity of English literature.
作者简介：
Stephen Greenblatt, General Editor Cogan University Professor of the Humanities, Harvard University Yale Ph.D. Author of nine books, including Will inthe World: How
Shakespeare Became Shakespeare, Hamlet in Purgatory, Practicing New Historicism, Marvelous Possessions.The Wonder of the New World, and Learning to Curse: Essays in Earlv Modern Culture. Editor of six collections of criticism, including Redrawing the Boundaries.-The Transformation of English and American Literary Studies, with
Giles Gunn. Founding coeditor of the journal Representations. Received the MLA's James Russell Lowell Prize for Shakespearean Negotiattion.The Circulation of Social Energy in Renaissance England. Received Distinguished Humanist Award from the Mellon
Foundation and the Distinguished Teaching Award, University of California,Berkeley. General Editor of The Norton Shakespeare,Based on the Oxford Edition. Fellow of the American Academy of Arts and Sciences.

PREFACE TO THE EIGHTH EDITION
ACKNOWLEDGMENTS
The Romantic Period (1785–1830)
Introduction
Timeline
ANNA LETITIA BARBAULD (1743–1825)
CHARLOTTE SMITH (1749–1806)
MARY ROBINSON (1757?–1800)
ROBERT BURNS (1759–1796)
MARY WOLLSTONECRAFT (1759–1797)
JOANNA BAILLIE (1762–1851)
MARIA EDGEWORTH (1768–1849)
WILLIAM WORDSWORTH (1770–1850)
DOROTHY WORDSWORTH (1771–1855)
SAMUEL TAYLOR COLERIDGE (1772–1834)
CHARLES LAMB (1775–1834)
THOMAS DE QUINCEY (1785–1859)
GEORGE GORDON, LORD BYRON (1788–1824)
FELICIA DOROTHEA HEMANS (1793–1835)
JOHN KEATS (1795–1821)
LETITIA ELIZABETH LANDON (1802–1838)
THOMAS CARLYLE (1795–1881)
JOHN HENRY CARDINAL NEWMAN (1801–1890)
ELIZABETH BARRETT BROWNING (1806–1861)
ALFRED, LORD TENNYSON (1809–1892)
EDWARD FITZGERALD (1809–1883)
ROBERT BROWNING (1812–1889)
EMILY BRONTE¨ (1818–1848)
JOHN RUSKIN (1819–1900)
MATTHEW ARNOLD (1822–1888)
THOMAS HENRY HUXLEY (1825–1895)
GEORGE MEREDITH (1828–1909)
DANTE GABRIEL ROSSETTI (1828–1882)
CHRISTINA ROSSETTI (1830–1894)
WILLIAM MORRIS (1834–1896)
ALGERNON CHARLES SWINBURNE (1837–1909)
WALTER PATER (1839–1894)
GERARD MANLEY HOPKINS (1844–1889)
EDWARD LEAR (1812–1888)
W. S. GILBERT (1836–1911)
ABOUT GENDER
EMPIRE AND NATIONAL IDENTITY
WILLIAM ERNEST HENLEY (1849–1903)
ROBERT LOUIS STEVENSON (1850–1894)
OSCAR WILDE (1854–1900)
BERNARD SHAW (1856–1950)
RUDYARD KIPLING (1865–1936)
ERNEST DOWSON (1867–1900)
THOMAS HARDY (1840–1928)
JOSEPH CONRAD (1857–1924)
A. E. HOUSMAN (1859–1936)
RUPERT BROOKE (1887–1915)
EDWARD THOMAS (1878–1917)
SIEGFRIED SASSOON (1886–1967)
IVOR GURNEY (1890–1937)
ISAAC ROSENBERG (1890–1918)
WILFRED OWEN (1893–1918)
MAY WEDDERBURN CANNAN (1893–1973)
ROBERT GRAVES (1895–1985)
DAVID JONES (1895–1974)
WILLIAM BUTLER YEATS (1865–1939)
E. M. FORSTER (1879–1970)
VIRGINIA WOOLF (1882–1941)
JAMES JOYCE (1882–1941)
D. H. LAWRENCE (1885–1930)
T. S. ELIOT (1888–1965)
KATHERINE MANSFIELD (1888–1923)
STEVIE SMITH (1902–1971)
GEORGE ORWELL (1903–1950)
SAMUEL BECKETT (1906–1989)
W. H. AUDEN (1907–1973)
LOUIS MacNEICE (1907–1963)
DYLAN THOMAS (1914–1953)
EDITH SITWELL (1887–1964)
HENRY REED (1914–1986)
KEITH DOUGLAS (1920–1944)
……
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