Italian Concerto, Chromatic Fantasia and Fugue (巴赫《意大利协奏曲》，《半音阶幻想曲》与赋格以及其它键盘作品)

This superb selection of 16 of Bach's best-known, most-performed and mostrecorded works for the keyboard, reproduced from the authoritative BachGesellsehaft edition, offers an exhilarating introduction to the great composer's keyboard virtuosity and his genius for melodic invention. The works included are:
Italian Concerto (BWV 971)
Overture in the French Style [Partita] in B Minor (BWV 831)
Chromatic Fantasia and Fugue in D Minor (BWV 903)
Fantasia and Fugue in A Minor (BWV 904)
Fantasia and Fugue in C Minor (BWV 906)
Fantasia in G Minor (BWV 917)
　　Fantasia on a Rondo in C Minor (BWV 918)
　　Fantasia in C Minor (BWV 919)
　　Prelude [Fantasia] in A Minor (BWV 922)
　　Prelude and Fugue in A Minor (BWV 894)
　　Prelude and Fughetta in F Major (BWV 901)
　　Prelude and Fughetta in G Major (BWV 902)
　　Fugue in C Major (BWV 946)
　　Fugue in A Minor (BWV 947)
　　Fugue in D Minor (BWV 948)
　　Fugue in A Major on a Theme of Albinoni (BWV 950)
Sturdy, yet inexpensive, this Dover edition is designed for a lifetime of use. It brings to amateur and professional musicians, to students and to Bach connoisseurs the composer's choicest key board works in a format ideal for study and practice, with large noteheads, wide margins and clear, bold reproduction.
　　Dover (1987) republication of music from two volumes of Johann Sebastian Bach's Werke, originally published by the Bach-Gesellschaft, Leipzig: Vol. 3, 1853, edited by C. F. Becket; and Vol. 36, 1890, edited by E. Naumann. ll2pp. 9×12. Paperbound.

After the items that comprise Part II of the Clavier-Ubung, the pieces appear in the order of their BWV (Bach-Werke-Verzeichnis) numbers. Titles and places and times of composition given here are based on the
1980 Grove.
Clavier-Ubung, Part II (published 1735, Leipzig)
Italian Concerto (Concerto nach italiainischem Gusto; Concerto in Italian Taste), BWV 971 (composed 1735)
Allegro, 1. Andante, 6. Presto, 9.
Overture in the French Style [Partita] in B Minor (Ouvertiire nach franz6sischer Art), BWV 831 (by 1733)
Ouverture, 16. Courante, 23. Gavotte I, 24. Gavotte
II, 24. Passepied I, 25. Passepied II, 26. Sarabande,
26. Bourr6e I, 27. Bourrde II, 28. Gique, 29. Echo, 31.
Other Works
Prelude and Fugue in A Minor, BWV 894 (Weimar, 1708-17)
Prelude and Fughetta in F Major, BWV 901
Prelude and Fughetta in G Major, BWV 902
　Alternative Prelude, BWV 902a
　Chromatic Fantasia and Fugue in D Minor, BWV 903 (CoSthen, ca. 1720; revised Leipzig, ca. 1730)
　 Variant of the Opening, BWV 903a
　Fantasia and Fugue in A Minor, BWV 904 (Leipzig, ca. 1725)
　Fantasia and Fugue in C Minor, BWV 906 (Leipzig, ca. 1738; fugue incomplete)
　Fantasia in G Minor, BWV 917
　Fantasia on a Rondo in C Minor, BWV 918
　Fantasia in C Minor, BWV
　Prelude [Fantasia] in A Minor, BWV
　Fugue in C Major, BWV 946 (ca. 1708)
　Fugue in A Minor, BWV 947
　Fugue in D Minor, BWV 948
　Fugue in A Major on a Theme of Albinoni, BWV 950 (Weimar, ca. 1710)
　Richard Jones, author of the catalogue of J. S. Bach’s works in the 1980
　Grove, considers BWV 917, 918, 919, 922, 947 and 948 to be of doubtful authenticity.