David Copperfield

This Norton Critical Edition reprints the original 1850 text of Dickens’ most autobiographical novel, and his own personal favorite, including all of the line drawings by Phiz.
The editor has made necessary typographical corrections and carefully introduced and annotated the text for the student reader.
Dickens’ number plans for David Copperfield, which reveal his practice both as a serial writer and as a craftsman, are also included.
"Backgrounds" focuses on Dickens’ personal involvement with and response to the novel’s publication. Included are passages from his letters relating to David Copperfield, an autobiographical fragment, his preface to the 1869 edition of the novel, and a relevant excerpt from Little Dorrit.
"Criticism" is comprised of twelve essays by distinguished Dickensians representing a wide range of judgment and analysis. John Forster, Matthew Arnold, E. K. Brown, Gwendolyn B. Needham, Monroe Engel, J. Hillis Miller, Mark Spilka, Harry Stone, Bert G. Hornback, Garrett Stewart, Robert L. Patten, and Alexander Walsh provide a variety of perspectives.
A Chronology of Dickens’ Life and Works and a Selected Bibliography are also included.

Jerome H. Buckley is Gurney Professor Emeritus of English Literature at Harvard University, where he began teaching in 1961. He is a Fellow of the American Academy of Arts and Sciences and is the author of many books, among them The Victorian Temper, Tennyson: The Growth of a Poet, The Triumph of Time, and The Turning Key: Autobiography and the Subjective Impulse. He is the editor of the Riverside Edition of The Poems of Tennyson and Harvard’s The Worlds of Victorian Fiction, among other texts.

Book Description
Reprinting the 1850 original, this work also includes excerpts from Dickens' letters tracing the genesis of the novel. The criticism section includes 12 essays by authors including John Forster, Matthew Arnold, J.Hillis Miller, Gwendolyn B.Needham and Garrett Stewart.

Intimately rooted in the author's own biography and written as a first-person narrative, this work charts a young man's progress through a difficult childhood in Victorian England to ultimate success as a novelist, finding true love along the way.

Amazon.com
Beginning in 1854 up through to his death in 1870, Charles Dickens abridged and adapted many of his more popular works and performed them as staged readings. This version, each page illustrated with lovely watercolor paintings, is a beautiful example of one of these adaptations.

Because it is quite seriously abridged, the story concentrates primarily on the extended family of Mr. Peggotty: his orphaned nephew, Ham; his adopted niece, Little Emily; and Mrs. Gummidge, self-described as "a lone lorn creetur and everythink went contrairy with her." When Little Emily runs away with Copperfield's former schoolmate, leaving Mr. Peggotty completely brokenhearted, the whole family is thrown into turmoil. But Dickens weaves some comic relief throughout the story with the introduction of Mr. and Mrs. Micawber, and David's love for his pretty, silly "child-wife," Dora. Dark nights, mysterious locations, and the final destructive storm provide classic Dickensian drama. Although this is not David Copperfield in its entirety, it is a great introduction to the world and the language of Charles Dickens.

The Merriam-Webster Encyclopedia of Literature
(in full The Personal History of David Copperfield) Novel by Charles Dickens, published serially from 1849 to 1850 and in book form in 1850. The book is perhaps most notable for its childhood chapters, "an enchanting vein which he had never quite found before and which he was never to find again," according to the critic Edmund Wilson. Largely for this reason and for its autobiographical interest, it has always been among his most popular novels and was Dickens' own "favorite child." It incorporates material from the autobiography he had recently begun but soon abandoned and is written in the first person, a new technique for him. Although Copperfield differs from his creator in many ways, Dickens uses many early personal experiences that had meant much to him--his own period of work in a factory while his father was jailed, his schooling and reading, his passion for Maria Beadnell (a woman much like Dora Spenlow), and (more cursorily) his emergence from parliamentary reporting into successful novel writing.

From Booklist
Gr. 8^-12. This is not the great classic novel but a few little-known episodes that Dickens excerpted from the book for his dramatic public readings. His performances were for adults who knew the book, and it's only readers familiar with the novel who will understand what's going on. This large-size volume is for teens interested in book illustration and dramatic performance. Marks (who illustrated Over the Hills and Far Away: A Book of Nursery Rhymes [1993]) captures the romance and the comedy of the excerpts with watercolor paintings on every page. But generally this is theatrical Dickens for nostalgic adults.
　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Hazel Rochman

From AudioFile
Like a visit with old friends, this production of David Copperfield assumes that the listener is familiar with the Dickens milieu. The emphasis is on Dickens's colorful characters, who appear one after another in performances consistently deft and sure. Even the grotesque are played with a restraint that retains their humanity. Music and sound effects are used well, but sparingly, never distracting from the voices. J.N.

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

Book Dimension:
length: (cm)21.5 　　　 　　　　　 　 width:(cm)12.7

Preface
The Text of David Copperfield (1850)
　A Note of the Illustrations
　Number Plans for David Copperfield
Backgrounds
　Preface to the 1869 Edition
　The Autobiographical Fragment
　Passages from Dickens’ Letters Relating to David Copperfield
　Excerpt from Little Dorrit, Chapter XIII
Criticism
　John Forster, [David, Less and More than Dickens]
　Matthew Arnold, [Mr. Creakle and the Irish]
　E.K. Brown, [The Art of "The Crowded Novel"]
　Gwendolyn B. Needham, The Undisciplined Heart of David Copperfield
　Monroe Engel, [The Theme of David Copperfield]
　J. Hillis Miller, [Dickens’ Novel as Memory]
　Mark Spilka, David Copperfield as Psychological Fiction
　Harry Stone, Fairy Tales and Ogres: Dickens’ Imagination and David Copperfield
　Bert G. Hornback, [David’s Vocation as Novelist: Frustration and Resolution in David Copperfield]
　Garrett Stewart, [Mr. Micawber’s Novel]
　Robert L. Patten, Autobiography into Autobiography
　Alexander Welsh, A Novelist’s Novelist
A Chronology of Dickens’ Life and Work
Selected Bibliography