柏拉图以来的批评理论（第三版）（上下册）

    《柏拉图以来的批评理论》(第三版)是一本按时间顺序编排的文 选，书中介绍了大量西方文化中文学批评和理论的历史及发展的相关研究。由文学研究领域的两位知名学者主编，本书侧重从柏拉图和亚里士多德至今的个人对于文学批评发展的贡献。选集通过对当代研究重点和趋势的广泛陈述，扩展到对哲学起源和影响的更完整表现。由于反映了社会、道德和政治等因素对文学批评和理论发展产生的影响，本书适合于各个层次的文学批评和理论课程。
精彩要点：
本书按时间顺序编排，两千多年的时间跨度，综合各种选集，对于文学研究作为一门学科的发展，提出一个公认的观点，并附有解释性的批注和关于作者的文献记录。
本书已作显著修订，以涵盖其他从事语言、修辞、哲学和社会专题研究的思想家。
随着对不同哲学传统的关注增加，新版本强化和拓宽了文化研究作为一门交叉性学科的理念。
完整的卷册设计方便了追溯现代文学批评理论发展的历史起源。
编者建立了早期思想家和现代理论发展之间的清晰联系。

这是一本按时间顺序编排的文选，书中介绍了大量西方文化中文学批评和理论的历史及发展的相关研究。由文学研究领域的两位知名学者主编，本书侧重从柏拉图和亚里士多德至今的个人对于文学批评发展的贡献。选集通过对当代研究重点和趋势的广泛陈述，扩展到对哲学起源和影响的更完整表现。由于反映了社会、道德和政治等因素对文学批评和理论发展产生的影响，本书适合于各个层次的文学批评和理论课程。

柏拉图以来的批评理论（第三版）（上册）
PLATO
GENERAL INTRODUCTION
PLATO
Ion
from Republic
from Phaedrus
from Sophist
from Philebus
from Cratylus
ARISTOTLE
from Physics
from Metaphysics
Poetics
from Rhetoric
MARGUS TULLIUS CICERO
from Brutus
QUINTUS HORATIUS FLACCUS(HORACE)
Art of Poetry
STRABO
from Gegoraphy
PUBLIUS CORNELIUS TACITUS
from Dialogue on Oratory
PSEUDO LONGINUS
PLUTARCH
FLAVIUS PHILOSTRATUS
PLOTINUS
SAINT AUGUSTINE
ANICUS MANLIUS SEVERINUS BOETHIUS
SAINT THOMAS AQUINAS
DANTIE ALIGHIERI
GIOVANNI BOCCACCIO
JULIUS CAESAR SCALIGER
LODOVICO CASTELVETRO
SIR PHILIP SIDNEY
GIORDANO BRUNO
GIACOPO MAZZONI
TORQUATO TASSO
SIR FRANCIS BACON
PIERRE CORNEILLE
JOHN DRYDEN
JOHN JOCKE
ALEXANDER POPE
JOSEPH ADDISON
GIAMBATTISTA VICO
……
柏拉图以来的批评理论（第三版）（下册）

自20世纪60年代以来，西方批评理论进入了极盛期。理论的大旗在人文社科的所有领域中猎猎招展，理论及其相关课程占领了几乎所有人文社科的课堂。学者们言必称理论，每以谈玄说理为时尚。在这样的氛围中，各种理论文集也就应运而生。. 在众多的理论文集中，有两部影响最大。这就是英国学者拉曼·塞尔登(Raman Selden)等编选的《文学批评理论：从柏拉图到现在》(The Theory of Criticism：from Plato to the Present)和美国学者哈泽德·亚当斯(Hazard Adams)等编选的《柏拉图以来的批评理论》(Critical Theory Since Plato)。这两本书标题与内容大致相同，但却各领风骚，各具特色，堪称西方文论选本中的双璧。 塞..

GENERAL INTRODUCTION
This third edition is a thorough revision of the second. Our choice of selections reflects an effort to represent the main themes in the history of literary criticism and theory in Western culture from Plato to the present and to recognize that this history forms an important part of the comparative history of ideas and cannot be more than partially separated from certain other disciplines. Thus some texts not directly concerned with literature have been included; in a few cases these texts imply hostility to literature. They are important because they helped to generate an apologetic and defensive reaction among critics and poets. An example in the twentieth century is the work of the logical positivists, of Rudolph Carnap and Bertrand Russell, and their relation, for example, to the critical writings of I. A. Richards and, in turn, his curious relation to the American New Critics. But more important is Plato himself; the ambivalence he exhibited toward poetry gave rise to numerous defenses over centuries, some actually citing Plato, even as attackers cited him in their own support. Indeed, much of the long history of the defense of poetry has been expressed in, and captured by, the terms set forth by its attackers, the first and foremost being Plato, whose search for justice in Republic led his Socrates to advocate the banishment of poets. The defense of poetry has long sought to overcome the Socratic attack, but too often within the language put in his mouth by Plato. The history of literary criticism and theory has always been intertwined with that of philosophy, sometimes vexing it, sometimes being vexed by it. Although our principal effort has been to reflect the main intellectual paths, we have sought to make an eclectic selection without succumbing to fashions that seem to us not a particularly important part of the history of literary thought. Further, we have tried to make sense of the developments that have given late-twentieth-cen
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